The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.

David Foster Wallace

Skynet once again uses its (apparently not all that limited) time-travel device, this time to send a far more advanced liquid metal T-1000 Terminator back to 1990s L.A., this time to kill the ten-year-old John Connor (played by the extremely annoying Edward Furlong [13], whose voice keeps cracking pubescently and who’s just clearly older than ten), and that the intrepid human Resistance has somehow captured, subdued, and “reprogrammed” an old Schwarzenegger-model Terminator – resetting its CPU’s switch from TERMINATE to PROTECT, apparently [14] – and then has somehow once again gotten one-time access to Skynet’s time-travel technology [15] and sent the Schwarzenegger Terminator back to protect young J.C. from the T-1000’s infanticidal advances. [16]

David Foster Wallace again provides a singularly descriptive sentence; this one for T2. Imagine if all capsule descriptions read like this.

Recall that it’s A.D. 2027 and that there’s been a nuclear holocaust in 1997 and that chip-driven machines now rule, and “Skynet,” the archonic diabolus ex machina, develops a limited kind of time-travel technology and dispatches the now classically cyborgian A. Schwarzenegger back to 1984’s Los Angeles to find and terminate one Sarah Connor, the mother-to-be of the future leader of the human “Resistance,” one John Connor [3]; and that apparently the Resistance itself somehow gets one-time-only access to Skynet’s time-travel technology and sends back to the same space-time coordinates a Resistance officer, the ever-sweaty but extremely tough and resourceful Kyle Reese, to try desperately to protect Ms. Sarah Connor from the Terminator’s prophylactic advances [4], and so on.

David Foster Wallace turns in the most complex single sentence that ever was or ever will be written about the film Terminator.

Random Thought #371

politicalprof:

It should be remembered that no one—and I mean no one, of any party—who advocates more tax cuts for Americans, whether businesses or individuals, is serious about solving the American national deficit. The only reasonable response to anyone who follows a statement about the need to reduce or cure the United States’ national debt with a statement about the importance of more tax cuts is to laugh at them until snot runs out of your nose.

That this isn’t already the widespread response and being ceaseless spread and solidified by Democratic operatives as politicians of all stripes take to the hustings come 2012 is precisely why the Democrats fail. Period.

Until they accomplish that one thing: lancing the festering boil that begins with the merely foolish Laffer Curve and ends now with the grade-A, unadulterated horseshit in which tax cuts never even need to be budgeted for, and then successfully turn all of that into a massive and truly, viscerally horrifying joke that all representatives of the Tea Klan and their GOP enablers must run, run from at each and every stop (see: “maximum acceleration on BullshitOne, Charlie, they’ve got the pitchforks out here too!”), well, until that day: we’ll get precisely nowhere in this country.

He’s a bitter man now, who can barely tolerate the fact that he lost to Barack Obama. But he lost for an obvious reason: his campaign proved him to be puerile and feckless, a politician who panicked when the heat was on during the financial collapse, a trigger-happy gambler who chose an incompetent for his vice president. He has made quite a show ever since of demonstrating his petulance and lack of grace.

Joe Klein reflects on the fall from grace of one John McCain.
It’s both strong stuff and true, but the sad part is that he was always like this, it’s just that he was the MSM’s particular darling because he would sit there with them on Bullshit One and tickle their own bottomless fonts of self-importance for as long as they could stand it. Now that he’s through with national politics, and knows it, he (apparently) isn’t bothering anymore. And so blow-back against Saint John McCain (finally) begins. Keep on tapping, Tashtego.

Will the “Real” McCain Please Stand Up?

…the McCain phenomenon has always baffled me. Even back in the glory days of the Straight Talk Express he seemed like a consummate phony to me, sucking up to reporters not because he was being unusually candid, but because it seemed like a good strategy to beat a well-financed guy who was running ahead of him. He’s always been nasty, he’s always been hot tempered, he’s always looked out for number one, and he’s always been willing to take whatever position was convenient at the time.

Yep. The media enjoyed the perception of total access, and thus created the myth of the maverick. As David Foster Wallace showed us (but whose text no longer appears to be online), the truth of “Bullshit 1” was always out there, they just refused to mention it. Too busy talking about Al Gore being told to wear un-American four button suits while discovering the Love Canal and then lying about these and other entirely media-created falsehoods.

Will the “Real” McCain Please Stand Up?

Are you up for a thought experiment? What if we chose to regard the 2,973 innocents killed in the atrocities of 9/11 not as victims but as democratic martyrs, “sacrifices on the altar of freedom”? In other words, what if we decided that a certain baseline vulnerability to terrorism is part of the price of the American idea? And, thus, that ours is a generation of Americans called to make great sacrifices in order to preserve our democratic way of life—sacrifices not just of our soldiers and money but of our personal safety and comfort?

In still other words, what if we chose to accept the fact that every few years, despite all reasonable precautions, some hundreds or thousands of us may die in the sort of ghastly terrorist attack that a democratic republic cannot 100-percent protect itself from without subverting the very principles that make it worth protecting?

Summer of Dick

This post contains Moby-Dick related spoilers, I suppose, but they’re getting on towards 200 years old and are as such almost indistinguishable from common knowledge. Read on at own risk.

For unclear reasons, this summer I decided to read Moby-Dick, or The Whale by the very late Herman Melville. Like many of its 19th century compatriots, it’s (at times) beautifully written and but so also drifts off into long tangents on the whaling industry as it was in the mid 1800s, the nature of whales, the etymology of the term whale, a comparison and literary criticism of different stories about whales, and, of course, an entire taxonomic system devoted to the phylogeny of the fishy leviathan. I suspect that, boiled down to its essence (having been sent through the try-works we’d find it to be the story of Ishamel taking a rather floridly symbolic whaling voyage under the command of one Ahab) it’d be utterly required reading of everyone; instead, Billy Budd seems to be the Melvillian placeholder in the canon. As it is, I’d say Moby-Dick stands as one of those books everyone thinks they probably should read, but ultimately doesn’t.
Anyhwo, it can be taken in several ways, amongst them as pure and timeless allegory informing the human condition.
So let’s consider these passages, which come late in the book, when the Pequod has (actually, finally) engaged Moby-Dick; Ahab and some of the crew are off on the only remaining smaller boat (that actually does the harpooning of the whale), everybody else is standing off a bit onboard the Pequod (Tashtego and several others are high up in the rigging performing various jobs)… suddenly Ahab realizes that the whale is going to attack the Pequod, and the summary costs of all his recent decisions are made painfully clear to him, that his occasional efforts to (more or less) leave his crew (and, specifically, his first mate Starbuck) out of it while he, Ahab, goes off to seemingly certain (and preordained) death will be for naught:

Ahab staggered; his hand smote his forehead. I grow blind; hands! stretch out
before me that I may yet grope my way. Is’t night? The whale! The ship!
cried the cringing oarsmen. Oars! oars Slope downwards to thy depths, O
sea, that ere it be for ever too late, Ahab may slide this last, last time
upon his mark; I see: the ship! the ship! Dash on, my men! Will ye not
save my ship? But as the oarsmen violently forced their boat through the
sledge-hammering seas, the before whale-smitten bow-ends of two planks burst
through, and in an instant almost, the temporarily disabled boat lay nearly
level with the waves; its half-wading, splashing crew, trying hard to stop
the gap and bale out the pouring water. Meantime, for that one beholding
instant, Tashtego’s mast-head hammer remained suspended in his hand; and the
red flag, half-wrapping him as with a plaid, then streamed itself straight out
from him, as his own forward-flowing heart; while Starbuck and Stubb,
standing upon the bowsprit beneath, caught sight of the down-coming monster
just as soon as he. The whale, the whale! Up helm, up helm! Oh, all ye
sweet powers of air, now hug me close! Let not Starbuck die, if die he
must, in a woman’s fainting fit. Up helm, I say –ye fools, the jaw! the
jaw! Is this the end of all my bursting prayers? all my life-long fidelities?

The whale strikes the Pequod and damages it beyond repair; it is rapidly sinking. Remarkably, Ahab takes all this in, realizes what he’s caused, but almost immediately returns to his own agenda. We’ve seen this several times in the book. To Ahab, the actual whaling mission of the Pequod is an unfortunate distraction. Many, many times, Starbuck implores him to simply do the whaling: if we happen upon Moby-Dick, so be it, but first the whaling should be prosecuted as quickly as possible such that we can get home sooner. Ahab repeatedly shows no interest in such a course, often obstructing or directly undermining the whaling side of the operation. The Pequod sinks:

Through the breach, they heard the waters pour, as mountain torrents down a flume. […] Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab’s boat, where, for a time, he lay quiescent. I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer.

[…]

The ship? Great God, where is the ship? Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian [Tashtego] at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; –at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

Let’s just say that, had I read the above a few days previous, it would have been the context of this post’s closing sentence.
As it is, let’s just (busy, busy, busy) tack that conclusion onto last summer’s:

And when he came back to, he was flat on his back on the beach in the freezing sand, and it was raining out of a low sky, and the tide was way out.

A Celebration of David Foster Wallace

peterwknox says (and I agree):

Nine peers pay tribute with a talk or essay. Strong suggestion.

Amy Wallace-Havens is David’s sister. She is a deputy public defender in southern Arizona.
Bonnie Nadell is vice president of Frederick Hill Bonnie Nadell Agency in Los Angeles.
Gerry Howard is an executive editor at large for Doubleday.
Colin Harrison is a novelist, and a vice president and senior editor at Scribner.
Michael Pietsch is executive vice president and publisher of Little, Brown and Company.
Don DeLillo has written fourteen novels, including White Noise and Underworld.
Zadie Smith has written three novels and the essay collection Changing My Mind.
George Saunders is the author of several books, including Pastoralia.
Jonathan Franzen is the author of several books, including The Corrections.

A Celebration of David Foster Wallace